
I am pleased to announce the publication of Pink Noises: Women on Electronic Music and Sound (Duke University Press). The book is a collection of twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and performance artists.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat), Pamela Z
For more information, and to order the book directly from Duke University Press, please visit:
http://www.dukeupress.edu/books.php3?isbn=978-0-8223-4673-9
Pink Noises is also available on Amazon:
http://www.amazon.com/Pink-Noises-Women-Electronic-Music/dp/0822346737/
Reviews:
"Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life." - Paul D. Miller (aka DJ Spooky)
"Pink Noises is an excellent addition to a still-too-short shelf of anthologies that compile composer interviews such as Soundpieces by Cole Gagne and William Duckworth's Talking Music. Like Gagne and Duckworth, Rodgers heeds no boundaries, venturing across styles and genres... I'm hoping for a sequel." - Christopher DeLaurenti, The Stranger (Seattle)
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